BLACK CAMERA Vol. 8, No. 2 Now Available

The latest issue of Black Camera: An International Film Journal is now available in print and online from the Indiana University Press.

Black Camera Spring 2017

The current issue features two Close-Up sections: The first, #BlackLivesMatter and Media, is edited by Charles “Chip” P. Linscott and features essays by Linscott, Michele Prettyman Beverly, and Alessandra Raengo; the second, Hip-Hop Cinema, is edited by Regina N. Bradley and includes essays by Robin M. Bolorn, I. Augustus Durham, Casarae L. Gibson, Adam Haupt, Peter C. Kunze, Brandon J. Manning, and Kenton Rambsy.

Also featured in this issue are articles by James Naremore, David Scott Diffrient, and Clitha Mason; the Africultures and African Women in Cinema dossiers; book reviews; and an Archival Spotlight on community archiving with the National Black Programming Consortium.

For more information about Black Camera, please visit http://www.indiana.edu/~blackcam.  To subscribe, visit http://purchase.jstor.org/products.php?issn=15363155

About BFC/A

The Black Film Center/Archive at Indiana University was established in 1981 as the first archival repository dedicated to collecting, preserving, and making available historically and culturally significant films by and about black people. The BFC/A's primary objectives are to promote scholarship on black film and to serve as an open resource for scholars, researchers, students, and the general public; to encourage creative film activity by independent black filmmakers; and to undertake and support research on the history, impact, theory, and aesthetics of black film traditions. View all posts by BFC/A

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