Call for Papers: Evolving African Film Cultures

The African Media Center at the University of Westminster has issued a call for papers for their November, 2012 conference ‘Evolving African Film Cultures: Local & Global Experiences.’  The conference will focus on “changes in African film and television production and, of equal importance, the transformation of African film audiences in local and global contexts.”

Kunle Afaloyan’s ‘Araromire’

Click ‘Read More…’ for the full description of the conference and for contact information.

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CALL FOR PAPERS

Evolving African Film Cultures: Local and Global Experiences

Conference organised by the

Africa Media Centre, University of Westminster

Date: Saturday 10 and Sunday 11 November 2012

Venue: University of Westminster, Regent Campus

309 Regent Street, London, W1B 2UW

This is the first call for papers for a two-day conference on changes in African film and television production and, of equal importance, the transformation of African film audiences in local and global contexts. African film production, distribution and consumption have been more noticeable in the West African region, as showcased by biennial exhibitions at the FESPACO festivals in Burkina Faso. Arguably, such festivals have encouraged a type of production that is admired by Europeans, but which is rarely available to, or appreciated widely by audiences in those productions’ countries of origin. Portuguese and Arab-speaking regions in Africa have also developed diverse and high quality film cultures, but their experiences need to be debated within a wider context. More recently, Anglophone regions, led by Nigeria, have developed popular commercial film models which have been enthusiastically received by African audiences. One could say that African film markets have been rapidly expanding, with many implications for film and policy makers, distributors and audiences.

Since 2000, audiences for African film elsewhere in the world have grown in size. Such expansion has implications for film content, form, production strategies, distribution mechanisms and policy frameworks. African filmmakers have to delicately negotiate widening markets, for instance, by paying  more attention to the political economy of film consumption in the rapidly changing local and global contexts. The digital economy, especially the internet, has opened up huge opportunities for the wider distribution of African film. Papers may focus on, among other topics, the following:

•             Production cultures and circulation of film;

•             History, myth and identity in African film;

•             The representation of African cultures in film;

•             Audiences, reception and sites of spectatorship;

•             Indigenous language films and the problems of subtitles and illiteracy.

•             Morality and spirituality in African cinema;

•             Exhibition, financing and distribution of African film;

•             Cinema and digital technologies;

•             Film festivals and the development of national cinemas in Africa;

•             Revenue, business models and piracy

•             Auteur, film genres and form

•             Collaborative filmmaking in the global north/trans-national collaborations

•             African film philosophy

•             The image, sound, written and spoken word in filmic narratives

•             Institutions, policies and film agencies

DEADLINE FOR ABSTRACTS

The deadline for submission of abstracts is Friday 8 June, 2012. Successful applicants will be notified by Monday 18 June, 2012. Abstracts should be 300 words long. They must include the title of the conference, presenter’s name, affiliation, email and postal address, together with the title of the paper. Please ensure when saving your abstract that your name is part of the file name. Please email your abstract to Helen Cohen, Events Administrator at: (journalism@westminster.ac.uk).

PROGRAMME AND REGISTRATION

This two day conference will take place on Saturday 10 and Sunday 11 November, 2012. The fee for registration (which applies to all participants, including presenters) will be £140, with a concessionary rate of £60 for students, to cover all conference documentation, refreshments and administration costs. Registration will open in September 2012.

Dr. Winston Mano

Communication and Media Research Institute (CAMRI)

Department of Journalism and Mass Communication

School of Media, Arts and Design

University of Westminster

Harrow Campus

Watford Road

Harrow, Middlesex, HA1 3TP, UK

Tel: +44(0)2079115000  ext 4427

E-mail: manow@wmin.ac.uk

Fax:+44(0)2079115942

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About BFC/A

The Black Film Center/Archive at Indiana University was established in 1981 as the first archival repository dedicated to collecting, preserving, and making available historically and culturally significant films by and about black people. The BFC/A's primary objectives are to promote scholarship on black film and to serve as an open resource for scholars, researchers, students, and the general public; to encourage creative film activity by independent black filmmakers; and to undertake and support research on the history, impact, theory, and aesthetics of black film traditions. View all posts by BFC/A

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